TRAKTOR PRO 2

TRAKTOR PRO 2 contains a wealth of software features designed for ultimate flexibility and intuitive pro performance.

CORE FEATURES

From advanced library management, to automatic track analysis, TRAKTOR PRO 2 takes care of the essentials.

TRACK PREPARATION

Browse and find your favorite tracks in seconds. Full iTunes integration in TRAKTOR PRO 2 means your library and playlists are quickly accessible directly from TRAKTOR.

SYNC

Sync tracks instantly. Track BPM, beatgrids, and key are automatically detected on import and used by the powerful Sync engine for perfectly beatmatched mixes – every time.

SOFTWARE MIXER

The built-in software mixer provides a wealth of customizable professional DJ mixer features. Choose from different EQs and filter types modelled after industry favorites. Plus activate FX Units from each channel.

CREATIVE ARSENAL

LOOPING AND CUEING

Advanced looping features let you take snapshots of your favorite track parts in perfect time and change loop length on the fly. TRAKTOR automatically stores your hotcues, so you can jump to straight to key moments

EFFECTS

Over 30 studio-grade effects, 4 individual FX Units, and one-knob Macro FX offer an endless sonic palette designed to texturize your tracks. Or group and customize effects to let your creativity run wild.

LOOP RECORDER 

Record audio from a live source, master out, or individual channels for creative, multi-layered overdubs. Then transfer sounds into Remix Decks slots instantly.

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Pioneer DDJ-SZ - Profesional DJ Controller

Pioneer DDJ-SZ - Profesional DJ Controller

OVERVIEW

Pioneer DJ expands its family of Serato DJ Software controllers with the DDJ-SZ, its flagship model that strongly emulates the look and feel of Pioneer’s world-renowned CDJ digital players. The DDJ-SZ is designed for the serious “controller” DJs who are inspired by the performance specifications of Pioneer’s professional DJ products but also want the convenience of an all-in-one system. The new controller is 35 percent bigger than the widely popular DDJ-SX, sporting additional functionalities and features including extra large JOG wheels (the same size available on CDJ players), large performance pads with multi-color illumination, DJM style mixer, dual USB ports and a MAGVEL cross fader.

BIG JOG WHEEL

The most noticeable CDJ PRO gear integration to the DDJ-SZ is its large 8.1-inch JOG wheels. The JOG wheels provide instantaneous response and excellent operability for accurate and smooth scratching and mixing performance. The center of each JOG wheel also features “ON JOG display” to illustrate playback status, cue points and position. In addition, the unit offers a JOG FEELING ADJUST to enable users to change the resistance of the wheel from light to heavy for a customize feel.

PERFORMANCE PADS

Directly below each JOG wheel are four effects buttons – HOT CUE, ROLL, SLICER and SAMPLER. Under the effects buttons are eight extra large “performance pads” that DJs can quickly access to insert different modified effects to music playing. In Sampler mode, the output volume of the sampler effects also varies depending on the strength of user’s tap of the pad. An update from the current DDJ-S controllers, the performance pads on the DDJ-SZ illuminate in different colors to quickly communicate the effect mode it is in.

DUAL USB PORTS

The DDJ-SZ includes two USB ports to enable simultaneous connection of two computers. Users can instantly switch between two computers for seamless transitions between two DJs or as additional music sources.

HIGH-END MIXER

The mixing area of the DDJ-SZ also closely mimics Pioneer’s DJM series of professional mixers, utilizing a generous number of controls and effects with features including Sound Color FX and new Oscillator functions to deliver more creative music arrangements. The mixer can also be used as a standalone 4-channel mixer for outboard players and turntables.

• Oscillator – The new Oscillator on the right side of the mixer provides four types of sound effects: Noise, Siren, Cymbal and Horn. A quick touch of the buttons activates the effect(s), which can also be modified in amplitude (volume) to add to the music currently playing.
• Sound Color FX – The mixer includes four Sound Color FX functions (Pitch, Jet, Echo and Filter), which add numerous audio effect combinations and arrangements to currently playing music with a simple twist of the knobs. Through Serato DJ’s beats per minute (BPM) analysis, users can also synchronize Echo effects to the BPM of currently playing music.
• DVS Functionality – The controller can support DVS (Digital Vinyl System)1 using control tone to enable an external player to be used as a Serato DJ deck.

MAGVEL CROSS FADER

For extremely smooth transitions and high durability between the DDJ-SZ’s players, the unit features a MAGVEL cross fader (the same component used in Pioneer’s DJM-900SRT) that utilizes a contact-free magnetic system that can withstand more than 10 million operations. The “cut in” time of the cross fader can also be customized to the user’s preference.

ADDITIONAL FEATURES

• Serato DJ Software – Bundled with the DDJ-SZ for an easy out-of-the-box experience.
• Slip Mode – While activated, Slip Mode silently continues song playback during a performance loop, scratch or hot cue and resumes audible playback when the loop, scratch, or hot cue operation is ended, creating smoother and more seamless transitions.
• Needle Search – Users can immediately jump to a specific part of a music track with a simple touch of the Needle Search pad.
• High Quality Audio – A low-jitter clock and high-performance digital-to-analog converter (DAC) are used for accurate audio playback. In addition to a 24-bit digital signal processor to minimize digital noise, its balanced hybrid operational amplifier and balance output circuit also reduce analog circuit noise.
• Built-in Sound Card (audio interface)
• P-LOCK Fader Cap – Prevents the fader knob from slipping off during extreme use.
• Auto Standby – Automatically switches to standby mode when no activity or input is detected for a period of time.

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Pioneer CDJ-2000nexus-M Platinum Edition

CDJ-2000nexus-M Platinum Edition

CDJ-2000nexus-M Platinum Edition

These Platinum Edition models have a limited run of 4,000 units for the CDJ-2000nexus and 2,000 units for the DJM-900nexus. The Platinum Limited Edition series products will feature an ultra-sleek mirror chrome finish and each with a distinctive plaque engraved with the production run and serial number to indicate its authenticity. The system includes two CDJ-2000nexus-M and one DJM-900nexus-M. In addition, included with each CDJ-2000nexus-M Platinum Edition will be one Pioneer premium digital cable (DAS-DGC020R).

Also available is the RMX-1000 Remix Station as Platinum Limited Edition being sold separately.

CDJ-2000nexus-M Platinum Edition features include:

• Users can choose their media source from a USB storage device, SD memory card, CD- or DVD-ROM Disc, DJ software via MIDI/HID or even using music stored inside Wi-Fi®/USB-connected smartphones and tablets
• rekordbox™ music management software for analysis, management, and playback of music files.
• Pioneer’s PRO DJ LINK, which enables up to four digital CDJ players to be connected for sharing music files stored on a single USB device and/or SD card
• High efficiency Wolfson® Microelectronics digital-to-analog (D/A) converter for accurate sound reproduction, faithful to source material
• Slip and Quantize functions, which enable reliable performance without changing the flow of the original track. Using the My Settings feature, the function settings of a player can be saved to an iPhone®, iPad® or iPod touch®, USB storage device, or SD memory card
• For additional convenience, the settings can also be can be made ahead of time on the rekordbox app or software, allowing users switch to their settings when a connection is made to the CDJ-2000nexus.
• Up to 35 controls on the surface of each player can be used to trigger other devices, such as DJ effectors and software by way of HID and/or MIDI
• Active Loop function automatically starts loops when playback begins from a specified point
• Load Previous Track feature provides playback of prior music that has been loaded to the player
• Rating on the Go function allows users to rate tracks during play for easy reference or sorting
• Auto Standby function switches power to standby mode when no operation or input is detected for a certain period of time

DJM-900nexus-M Platinum Edition features include:

• Multitude of effects options including six types of Sound Color FX and 13 types of Beat Effect
• Built-in 24-Bit / 96 kHz high performance USB soundcard
• Built-in “X-Pad” for controlling multiple parameters with a touch to enhance the user’s performance
• Ability to connect Pioneer® digital players that support the PRO DJ LINK feature for highly accurate BPM and beat location information, resulting in precise beat matching
• Built-in high performance 32-bit digital signal processor to suppress digital and analog circuit noise
• Highly durable high-performance channel fader
• Auto Standby function
• Gold-plated RCA PIN ports.

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Toxic Biohazard

Toxic Biohazard is the 4th generation in the line of Toxic synthesizers vst from FL Studio. Toxic Biohazard distills the best features from the previous 3 versions to deliver our most concentrated Toxic ever. Beware!

Hybrid Synthesis.

Toxic Biohazard features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis. With the addition of a warm, analog-modelled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality.

Toxic Biohazard includes following enhancements...

• Optimized engine. Improved the sound quality, with even more accurate waveshapes, and quicker rendering times.
• "Physical" envelopes (amplitude and filter) physical modelling of how sounds in real world decay & resonate, for example, the sound of a water drop. Further, physical envelopes are rendered
• real-time without any interpolation, avoiding noise artifacts and allowing Toxic Bio to deliver fast, accurate envelope times.
• Pack of new effects: phaser, reverb, ...

image by Image-Line

The FM technology

One of the ‘warmest’, crisp, and clear Frequency Modulation engines in the world, owes its sound to the precise calculation of the digital signal. Due to high-resolution DSP processing, it produces sound with an extremely low noise threshold; something that most FM engines cannot offer. The Toxic Biohazard sound was built from the ground up, via our own unique mathematical calculations and analog-modelling techniques.

The Oscillators

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Completely alias-free, and well tuned for all sampling rates, they produce a rich, "fat" sound all across the spectrum. Due to the high quality of the anti-aliasing process, users will not encounter the shredding noise on high frequencies that has plagued FM synthesis in the past. Furthermore, the oscillators are calculated at extremely high speeds, keeping your CPU usage to a minimum. Toxic’s low CPU consumption affords the user plenty of room for external processing and running multiple instances. The oscillators also come equipped with Maxx Claster’s own powerful spectrum analysis technology. This allows the user to create his or her own waveforms, via the simple process of loading a WAV or AIFF format sound file. All of these features make the oscillators very flexible, and allow for the use of both synthetic and acoustic waveforms within Toxic. Each oscillator also comes with 32 built in ‘classic’ waveforms, each shown to be the most useful in FM synthesis.

The Effects

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Made to assure high quality and flexibility is built into the synthesizer its self, Toxic Biohazard aims to reduce the need for external processing altogether! The effect modules are designed to give the user access to several types of effects, from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. With our own pro-quality tape delay emulation, based on non-fixed delay buffer sizes, instead of the usual methods incorporated within digital delays, our delay lines give you warm sound, with “true” feedback and modulation. Lastly, the signal chain features an analog-modelled, parametric equalizer to further shape your sound. The EQ provides access to crisp, clear high-end definition, creamy mid ranges and earth-shaking low-end frequencies. The Toxic Biohazard effect modules expands its palette of sound to include everything from dark, atmospheric textures to razor sharp leads, fit to slice easily through any mix.

The Filter

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Maxx Claster's own analog-modelled, multimode filter is reminiscent of a certain silver box of old. Garnishing a warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic Biohazard gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking. These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.

The Sequencer

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Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns. Using our own "Smart Sequencer" technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the programmed sequence from single notes. Simply holding one chord can virtually create an arrangement for you!

System requirements

PC:

• Windows 7, Vista, XP (SP2) - (32 & 64 Bit)
• 2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
• 512Mb RAM.
• 30Mb free disc space.
• DirectSound or ASIO compatible soundcard.

Mac:

• OSX v10.4 (Universal Binary)
• G4 1.5 GHz or Intel Core Duo family.
• 512Mb RAM.
• 30Mb free disc space.
• CoreAudio drivers.

Source : Image-Line

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Nuendo 6.5

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The whole world of audio post. Nuendo 6.5

Nuendo 6.5 adds new features dedicated to post-production workflows. Offering major enhancements to functionality in critical areas for audio post such loudness processing, bass frequency management as well as ADR and foley recording, this latest update also includes time-saving new features that expedite daily tasks.

Top 10 features

• Automated Loudness processing to both industry standards such as EBU R128 and fully user-definable settings.
• Professional bass management including several routing and filter options coming with the new Bass Manager plug-in.
• ADR Taker 2.0 introduces a major update of Nuendo’s ADR taker system with enhancements for voice and foley recording such as new playback/recording modes, automated naming schemes and pre-record buffer.
• Nuendo TrackVersions allows for creating, renaming and managing parallel versions of the same track plus many addition features far beyond conventional playlists
• Track visibility management speeds up handling especially of large projects by offering dynamic displaying of audio tracks and groups in the project window.
• Improved AAF Filter now supports even better import/export to Pro Tools and Media Composer
• New monitoring and metering section for better source management and better overview on the most frequently used functions
• Experience a richer sound with REVelation reverb and Magneto 2, a warm and smooth tape saturation plug-in
• Track Quick Controls can now be saved as presets and loaded for immediate access
• Steinberg Hub with direct access to user-defined folders and news section for the latest Nuendo product updates

The workflow evolution

Indispensable: The new loudness processing feature

Nuendo 6.5 introduces a new automatic loudness processing feature that lets you optimize your audio for loudness quickly and efficiently by exporting audio files at user-defined loudness levels such as the industry-standard EBU values (e.g. -23 LUFS). True peak values for rendered audio are also user-definable. Because all settings have been conveniently integrated into the Export Settings dialog box, they are also available for more complex rendering tasks, such as cycle markers or batch export functions. And, of course, optional peak level limitation is also available.

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Further enhancements include a new true peak spot indication directly within the Nuendo loudness track as well as an enhanced loudness metering scale ranging down to +18 dBFS.

Summary

• Exact loudness processing to industry-standard values
• User-definable values for maximum flexibility
• Full integration in the Export Settings dialog
• True peak indicators in Loudness Track

Nuendo TrackVersions. Playlists upgraded.

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Playlists are known as a vital part of the modern studio workflow. Nuendo 6.5 introduces TrackVersions, providing even more workflow efficiency than other standard playlist solutions. Create, rename and manage parallel versions of the same track or tracks and use them to compare takes or create alternative versions of your recordings while keeping all track settings. Interfacing perfectly with existing track handling features, the flexible TrackVersions feature will significantly speed up your workflow when working not only with audio but also MIDI, instrument, chord, tempo & signature tracks

Seamless import of AAF files from Pro Tools and Media Composer.

Nuendo 6.5 ensures improved compatibility with latest versions of other program platforms when exchanging AAF files. Building on the extended AAF import functionality included in the Nuendo 6.0.7 update, Nuendo 6.5 completes the new AAF filter functionality by adding features for exporting to applications such as Pro Tools and Media Composer.

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Better, faster, more convenient: Redesigned Control Room and Metering section

Nuendo 6.5 features a completely redesigned control room and metering section, providing better visibility of more functions simultaneously. Important control room functions, such as level, dim and downmix features can be displayed together with the master meter, allowing for keeping track on the most important parameters in daily production situations. Plus, the new control room hosts up to four talkback microphones and a dedicated output port for metering, enabling the integration of hardware meters.

Track visibility management

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Nuendo 6.5 speeds up the workflow significantly thanks to the new track visibility management feature. Huge projects containing hundreds of audio tracks can easily be managed by dynamically displaying only the tracks you actually want to see. Using the same approach as the channel visibility management introduced in MixConsole, various View Agents help you by instantly bringing the right tracks into focus; this powerful new feature will help you maintain a full overview of your project at all times — even on the largest, most complex productions.

Instant transient navigation

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Thanks to the new instant hitpoint navigation function, you can now “tab to transients” on audio events directly within the Nuendo project window. Hitpoints are automatically calculated in the background as soon as audio material is recorded or imported into the arrangement window. Simply use the keyboard shortcuts to tab back and forth to navigate around the audio material.

New Re-record mode

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Nuendo 6.5 includes the new Re-record mode to repeat a recorded take immediately. Once the Re-record mode is activated, you can simple start a new recording by hitting the record button again. The recording will start from the original position preserving the original pre-count and metronome settings. A handy, time-saving new feature that’s as simple as it is useful.

Saving your Track Quick Controls

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The Track Quick Controls just got even more powerful! You can now save and load Track Quick Control assignments as presets for immediate access. Simply click on the Quick Control Track Inspector and apply existing Track Quick Control assignments even to other track types. This way, you can turn your Quick Control area into a a powerful command center for heavy used program functions.

Steinberg Hub with direct folder access and news section

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Nuendo 6.5 introduces the new Steinberg Hub, a multi-functional platform to increase your workflow speed. The integrated news section provides information on Nuendo updates and further Steinberg news, while the direct folder access window enables you to open your favorite Nuendo project folders with a single click. Simply define up to four of your most frequently used folders for direct access or start one of the recent Nuendo projects.

Internet recording with VST Connect SE 2.

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Nuendo 6.5 adds even more capabilities to one of the most exciting features in Nuendo: VST Connect SE 2 now supports MIDI. Version 2 of the next-generation online production tool lets you send MIDI data in real time over the Internet. VST Connect SE 2 has the power to revolutionize your recording process, allowing you to collaborate live over the Internet as though you and your fellow collaborators were in the same room.

 ADR Taker 2.0 — Integrated system for voice & foley recording

Nuendo’s ADR Taker system — the world’s most powerful integrated system for voice and foley recording — has been extended in Nuendo 6.5 with important enhancements that make vocal and foley recording an incomparably fast and convenient experience.

Video overlay and take list improvements

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Review and edit speaker texts (video overlay) in stop mode, ideal for working with scripts which need modification during the recording session or even when the speaker’s already preparing for the next scene. Other important additions are the improved re-naming functions in the ADR marker window, making it easy to edit attributes of different markers at the same time (such as character name). It’s also possible to record several takes successively in one batch by freely selecting the appropriate scenes in the marker window, including a constant update of the dialog video overlay.


The newly added ADR Status indicator (colored light including red light) easily shows the actor the status of the ADR process inside the video window.

Automated naming scheme and recording

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Thanks to the new audio file naming scheme functions, the upgraded Nuendo ADR Taker now adds configurable attributes to the file name of each recording, making it even easier to search and find different recordings/roles. ADR Taker 2.0 also enables you to record automatically on user-defined tracks by pre-assigning a track to a specific role. The performance of the speaker is automatically recorded on the assigned track, making it a breeze to manage large ADR sessions with multiple roles on different tracks.




Record anywhere in Free mode

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The ADR Taker 2.0 introduces Free mode, a new function that allows utmost flexibility for ADR work. The Free mode enables you to start recordings at any point in the timeline, independently from the given marker/take structure of the ADR marker list. This means that you can just start the recording and let the speaker perform multiple scenes in one go, if desired. You can even set the start point of recordings within a longer scene (for example, second half of the scene) without the need to start the scene and wait for the playback to reach the desired position, speeding up the whole ADR process. Additionally, you can switch between rehearse and record process spontaneously, enhancing the entire quality of the ADR process.

Professional foley recordings

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The ADR Taker 2.0 is the perfect tool to also manage foley recording sessions more easily and flexibly. The powerful ADR take-list can be used to mark foley-relevant scenes and capture the foley artist’s performance accordingly. By using the new Free mode, the foley recording is not even bound to the end point of each single scene, making it easy to record longer foley takes in one go. Thanks to the automated naming scheme, foley files can be retrieved and used in the project on the basis of individual naming attributes such as the character name or foley specific topics like “underground” or “material.” All this plus numerous further functions such as the ADR status indicator (rehearse / record / review) and a function for adding second “swipes” make the Nuendo ADR Taker 2.0 the world’s most powerful integrated system for voice and foley recording.

Plug-ins for professional post-production

Bass Manager: Perfect bass frequency management

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The Bass Management plug-in brings additional tools to Nuendo 6.5 for routing and filtering low-frequency signals. Among the flexible new options are the ability to send a user-definable frequency range from the main mix directly to a subwoofer; this offers a lightning-fast way of separating bass frequencies from a main mix, for example, if the mix has been completed without a dedicated LFE channel.

Another new option is the ability to send a portion of the LFE channel to the main center or left/right speakers using the built-in crossover frequency controls. The final stage of dedicated filtering for the frequencies allocated to a subwoofer is the dedicated subwoofer section. Before/after metering offers a convenient visual representation of the levels routed to and from the new plug-in.

Smooth mixing with REVelation reverb

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Developed in conjunction with seasoned engineers and film mixers, Nuendo 6.5 comes with a super-rich and silky algorithmic reverb which recreates the vibe and character of famous hardware effects. REVelation offers a maximum degree of depth and adds its spatial magic on just about any instrument or sound, from string sections to lead vocals. Included with dozens of useful presets, REVelation will let your mix shine.

The return of a legend: Magneto 2

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Magneto 2 not only provides a warm, analog sound but also adds exciting new features such as the dual mode to give your tracks more flavor and personality — just like in the old days. And Magneto 2 lets you select the frequency range of the effect to be applied on your track. Magneto 2 offers more analog warmth and character to your digital world.

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Harmless

For several reasons. To begin with, there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, the filter & its resonance, the phaser, all performed on the harmonics, before partials are computed.

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Now, how it's synthesized shouldn't matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn't be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial's frequency, creating timbres definitely impossible using common synthesis methods.

Harmless, for less harmonics

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Again, Harmless is additive doing subtractive. Harmonics are not produced to be filtered, the timbre is filtered before being generated. This may sound like a detail, but generating sounds this way offers a lot more advantages than drawbacks.

Not necessarily less efficient

Image by Image-Line 

Powered by a highly optimized, multithreaded additive engine, CPU usage is comparable to the one of traditional subtractive synthesizers, especially for low-passed timbres. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU.

Because less is more

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Harmless was limited by design. We don't have any problem with complex synthesizers (we made several), but they're not for everyone. Here, no tabs, no hidden controls, no multipoint envelopes, all features are visible at once, and color-grouped. Over 100 parameters, most of which being automatable, are laid over a clear GUI.

Harmless, only in appearance

Simpler to program, yet packed with evil features. Under the hood, you will find unique options, like linking the phaser's output to partials frequencies. The LFO section can act as a special modulation source, linking the phaser's width to the velocity, or the pitch to the filter's envelope.

 

Of course, Harmless also offers features typically unique to additive synthesis, like its automatable harmonic mask.

Harmless is also packed with effects, the usual chorus, delay & reverb, but also a multiband compressor/limiter powered by Maximus itself. It also inherited the powerful unison from Sytrus.

In conclusion, our goal was to create a subtractive synthesizer with a unique twist, that also was easy to program, and we believe it succeeded.

System requirements

Windows 7 & 8, Vista, XP (SP2) - (32 & 64 Bit OS)

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support

512Mb RAM.

30Mb free disc space.

DirectSound or ASIO compatible soundcard.

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FL Studio Various Tool - NewTone

NewTone

NewTone (editor) is a pitch-correction and time manipulation editor. Slice, correct, edit vocals, instrumentals and other recordings.

Professional pitch correction & manipulation

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Fully integrated with FL Studio for the most efficient work flow. 

Auto or manually pitch correct vocals, create harmonies and new tunes.

Change volume levels, pitch duration, note position in the bar and alter or correct the overall pitch.

Simply move the blocks to correct

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Newtone makes it easy to correct your vocals or monophonic-instrumental recordings. 

Transparent blocks indicate detected pitches and the red line the moment-by-moment pitch all calculated automatically. Out of tune notes are immediately visible, and can be corrected individually with the click of a right-mouse button. Alternatively Drop into Advanced Edit Mode and micro-correct any portion of the waveform.

Drag & drop file adding

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Drad and drop your sounds or vocals directly into Newtone.

Efficient integration with FL Studio allows easy import/export to and from the Playlist, to wave format or exported as MIDI. 

Since Newtone is hosted as an effect and syncs with FL Studio transport, you can completely edit your audio without leaving Newtone.

Experiment with sound

Go beyond correcting vocals, create harmonies or use Newtone to experiment with non-vocal sounds. 

Newtone is not only a pitch and time manipulation tool, but a versatile sound-design environment.

Key features:

Auto correct your vocals

Create harmonies & new tunes

Full integration with FL Studio

System requirements

Windows XP/Vista/7

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support

512 Mb RAM

130 Mb disk space

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EZGenerator

EZGenerator is a combination offline Website builder and online content management system.
Create the structure of your website offline, add pages, blogs and other features then upload it and continue to edit ‘live’ content online.
Easily create a website without installing any other software on your PC or server, EZGenerator does all the hard work for you and set-up everything you need to have online.

There is no limitation on the number of websites you create with EZGenerator or in number of pages in each project.
EZGenerator is also solution when you have to maintain several websites on different servers. You can control all your projects from same place.
Our program supports you in generating the site you imagined, without limiting your creativity.
You can use the web hosting of your choice (free or payable) to publish your EZGenerator created website.



EZGenerator is first and foremost a WYSIWYG web-editor platform. If you can use a word-processor you will be right at home creating websites in EZGenerator. There’s no need for graphical skills or HTML knowledge.
You will be able to add modern features such as BLOGs, Calendars, e-Commerce, Google services, Guestbook, Slideshows, Counters and all to a commercial/professional standard.
Of course if you are HTML/Java/php savvy then EZGenerator lets you dive in the deep and completely customize your pages using any of these development languages.

Simply select one of the many (literally thousands) of ready made templates or import a template from Artisteer into EzGenerator.

You can even tweak most templates to your exact design needs. You can change look of template, replace images, insert slideshows or Flash banners into template.
EZGenerator is ready to communicate with and connect to all major web-servers. Once your site is complete, a single click and your website is published to your own (FTP or SFTP) account with EZGenerators built-in ftp client.
You can also publish your site to a local folder on your PC for testing or upload your site to multiple accounts.

EzGenerator makes it easy to add impressive interactive features to your website based on the JQUERY JavaScript library.
You will discover Tabbed tables, Accordions, Floating logins and much more. EZGenerator will always be up to date with the latest features and content enhancements.

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